Monday, December 20, 2010

3 simple step for writing your "about" page

Did you know that the “About Page” is the 2nd most popular page on your website? The main reason so many of your website guests pay a visit to this page is simply because they’re interested in knowing the “person” behind your small business. They just want to connect with an actual human being. (Is that truly too much to ask?)

That being said, hopefully your “About Page” isn’t a tiresome dissertation of mind-numbing facts about your small business.

Here are three simple tips for putting together an “About Page” that will stun your visitors:

1. Avoid stock photos.

Stock photos are just not going to cut it when it comes to depicting your small business. Your visitors want to get to know you. They really don’t care if you’re fat, skinny or somewhere in between, they’re just trying to make a connection.

Your visitors want to get to know the “real you,” not the slick and polished picture of Mr. Joe Clipart.

2. Don’t use wearisome industry jargon.

There’s nothing worse than an About Page that drones on and on with industry jargon that only your mother would care about.

Here’s an actual “About Page” paragraph that I read the other day:

“XYZ Marketing Solutions is a recognized leader in online and offline marketing solutions. Dedicated to providing the highest level of marketing expertise, XYZ Marketing Solutions delivers unparalleled support, superb customer service and superior education to their discerning clients.”

Yawn…are you sleeping yet?

Here’s the deal. When visitors read about your small business, they don’t give a hoot about your high level of expertise or superior education. They simply want to know how you can solve their problems.

I rewrote John’s “About Page”:

“If you’re looking for ways to create more visibility, generate more leads and make more money, XYZ Marketing Solutions will produce maximum results for your business.”

3. Include your contact information.

If you operate a small business, then there needs to be an easy way for prospects, customers and clients to contact you. Obviously, you don’t need to give out your home phone number. You can simply use a 1-800 number that redirects to your cell phone (i.e. Grasshopper is a low-cost, professional choice.)

And, the same is true for providing a simple way to email you. If you don’t want to use your personal email account, but want a low-cost email solution try Zendesk.

So, make sure that when visitors land on your “About Page,” you give them something to remember. It’s as simple as that.

www.jessicaswanson.com

The “Secret” to Beautiful Senior Pictures

Recently I spoke at a local photography workshop and someone made a comment that it has to be easy shooting only “pretty people”. Another photographer jokingly communicated to me that it “wasn’t fair” that we got to photograph all the “attractive people”. To that I laugh and say I’ll take that as a compliment. I do have to say that every one of the seniors that we photograph is beautiful…inside and out. But some people don’t understand that most of the senior girls do not walk around looking like they do for their senior session…just as a bride doesn’t walk around everyday looking like she does on her wedding day.

I think as a professional photographer that it is your job to find what is “beautiful” about your clients and focus in on that for their images. That can be their eyes, their hair, their smile, their laugh,…anything that makes them look good and feel good about themselves. That can only HELP you in creating images the senior and their families can be proud of.

At our studio we do go all out to make people look their best and feel their best for their senior session. Our customers deserve it…and we demand it. Which is why we incorporate the use of a professional makeup artist on our senior sessions. This, I believe, has really separated our work and the experience shared by our customers. No one has “perfect” skin. It can be splotchy, red, sunburned, and/or uneven. I cannot tell you the time I have saved in LightRoom and Photoshop from having a quality makeup artist.

I have also recently gotten a few emails from other photographers asking about using a makeup artist, how we incorporate it in the session, and what does the makeup artist do on the shoot. So I thought I would use this article to interview Stephanie Kelly of S.Kelly Makeup to answer a few questions. She has worked with us for two years and knows how I like to shoot and what looks I like to shoot for our sessions. And yes… I am glad that everyone thinks we are “lucky” to only photograph the “beautiful people” Thanks for the compliments to our work and our seniors! :)

What is your background and specialty in makeup?

I have been involved with make up since I was 17. I started modeling and began to learn how to apply makeup for the camera as well as runway shows. At age 30 I took a break from the industry, but only a few short years later I found myself wanting to be a professional makeup artist full time. I made the decision to change direction in my career and attended Cinema Makeup School in Los Angeles, California under the Master Makeup Program. I specialize in all aspects of makeup applications: TV/Film, Special Effects, Beauty, High Fashion, Editorial, Senior Models, and Bridal/Weddings.

What do you look for in working with a photographer?

When I am hired for a job, I always ask who the photographer will be so I can research their work. As a makeup artist, you want to see the light they use and the style of photography so you can prepare yourself for the photo shoot. Once you’re on the shoot, it’s vital to communicate with the photographer on the style of makeup that is needed. Professionalism, the ability to be creative, and having fun are the most important aspects to a photo shoot between a makeup artist and photographer.


What are the goals for the senior makeup session?

Makeup applications are different with every senior. You will have some seniors that want to take their senior session geared towards the fashion side and other seniors will want to look like “themselves” in their photos. My goal is to make each senior look their absolute best on such a memorable day. I communicate with the senior and ask what look they are going for and if they have any examples of makeup they like. I take into consideration their ideas but also bring my knowledge and vision to the makeup. As a makeup artist, you have to know when to step in and give what you think would look best even when the senior has a set idea on what she wants. I want the makeup to look professionally applied but also fun and creative to each senior’s request. My ultimate goal is to have each senior look in the mirror and be in awe. I want them to look their absolute best! When a senior feels like they look stunning and beautiful, the end result says it all….beautiful senior photos that will last a lifetime.

What are the mistakes that are seen with senior photography makeup?

Uneven skin tone, mismatched skin tone, wrong color choices, and what I like to call flat makeup: no shadowing, contouring, highlighting or luminous makeup applied, but the number one mistake is taking a senior model and experimenting with makeup on her photo shoot. You have to be creative and fun, but taking it too far is disturbing to look at. A senior shoot isn’t the time to invent a new eye shadow technique or have the model wear green lipstick. From time to time, you will have a senior model request a high fashion look to incorporate into their session. I think it’s a great idea, but save it for the last look! What you don’t want is to lose the natural look of senior model and at the end of the shoot, she’s unrecognizable. Yes, be creative. Yes, be fun with your ideas, but always remember as a makeup artist you have to know when to bring back the reigns a little.

What do you enjoy the most about makeup with senior sessions?

Being a part of their senior photography experience is enjoyment enough. It’s wonderful to see them from being extremely nervous at the beginning and when the makeup is revealed they are so confident and excited. To see each senior view themselves in a beautiful light is my enjoyment and that’s when I know I did my job well.


*Stephanie Kelly of S.Kelly Makeup is a professional makeup artists located in Columbus, GA where she specializes in fashion, portrait, wedding, and beauty photography along with TV, film, and special effects. You can visit her facebook page at http://www.facebook.com/pages/SKelly-Makeup/325429291636.

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We are a full time portrait photography studio in Columbus, Georgia. John Pyle Photography specializes in High School Senior Photography and is a two time national senior portrait artist (spa) winning studio.

Photo/Video Credits: © 2010 John D Pyle

John Pyle Logo

Company: John Pyle Photography, LLC
Phone: 706-662-8956
Email: johndpyle@mac.com
Website: http://www.johnpylephotography.com/blog
Twitter: @johndpyle
Facebook: http://facebook.com/johnpylephotography

Thursday, December 9, 2010

Saturday, December 4, 2010

Did somebody say free?

Madmimi_banner

FREE BUSINESS 101 E-COURSE LAUNCHES

It gives me warm fuzzies to announce the launch of the first free Served Up Fresh e-course: Business Basics.

If you feel like there are some legal business steps you might have missed (or have been knowingly avoiding), then you will want to sign up for this course. It's 5 weeks long, and includes 2 super-simple, not-the-least-bit-intimidating e-mails a week.

We’ll get your legal ducks all lined up in a row to start 2011 off right. Click here to sign up for the e-course!
Psst! Feel free to tell a friend who's just starting out in business about this. Better yet: sign them up and tell them you paid big bucks for it, then wish them a Merry Christmas. (Yeah, that's the kind if friend *I* would be!)

SUBMIT YOUR QUESTIONS, GET TASTY ANSWERS

When you head over to the (new! Improved! Triple awesomesauce!) website to check it out, you’ll notice a brand new section called Tasty Q&A. I'll be posting common questions and answers here that go beyond Easy as Pie. For example, right now there’s a great post about how to make customer’s special requests profitable -- not just a pain in the tush.
Click here to submit your own Tasty Q&A, and you just might see your answer on the website soon.

FINAL UPGRADE REMINDER

Oh, and this is your final reminder that tomorrow (that would be December 5th) is your very last chance to buy the Easy as Pie for $89. There is always one person that waits until last minute, and this is me telling you the last minute starts right now.

Click your last chance!

Add to Cart

Big holiday hugs to you!
XOXO,
Alicia

Wednesday, November 24, 2010

CPP Information

Hey Guys...
As promised here is more information about the CPP Process from Bruce.



Bruce Allen Hendricks November 24 at 12:05pm Report
There are 5 CPP's in Canada, myself, Inge, Craig Minelly and 2 guys out of Ontario. Inge was the first person to write the test inside of Canada - the rest of us had to travel to the US to take ours.

Anna Beaudry of BC is going through the process now, she has submitted her images (no results yet that I know of) and is planning to take the exam in BC with Craig sometime probably in the first few months of 2011.

Here is the link to the PPCC site:http://www.certifiedphotographer.com/

It's my goal to get PPOC officially on board with the program like PPA is (it originally was a part of PPA - but now it is run as a separate entity - kinda). Seeing this is an internationally recognized organization, believe it can go a long way as to helping separate the wannabe's from the rest of us.

On a side note, I would also suggest every photographer be a member of PPA. They offer so much value for the membership dollar it is amazing. I'm not dropping PPOC, but what PPA does for their members is amazing.


Congratulations to Inge!

Inge just received her oficial notice that she is now a Certified Professional Photographer!
Congratulations Inge. Great Job.

Keep watching for more info about certification!

Friday, November 12, 2010

Court rules against Photographer on copyright issue.

by

Mary Fisk-Taylor, M. Photog., Cr., CPP, ABI, API

www.hayesandfisk.com www.reallifestudios.net


I want to take a minute and talk to you about something I know a lot

about... MAKING MISTAKES. I could spend time sharing some

marketing ideas, sales plans and even discuss posing and lighting, but

the topic that I feel very confident about discussing right now concerns

mistakes I have made along the way.

For over 15 years, I’ve co-owned a photography studio and recently

opened a new studio with my family. During that time, I’ve spent

a considerable amount of time and energy to insure success by

having appropriate retainers, contracts and model releases, as well

as maintaining our memberships in our Professional Photography

Associations, mainly the Professional Photographers of America. I have

attorneys, mentors and accountants and I’ve felt very confident in my

efforts and accomplishments... until March of 2010.

It was at that time that I received a Summons from the County Sheriff.

Much to my shock, a client was suing me in small claims court.

Needless to say, I was very upset by this situation. I reviewed the claim and remembered the client, her session and her complaint but never thought she would have the nerve to sue me.

We had photographed the plaintiff’s daughter’s senior portraits back in the summer and, from the very beginning, they were difficult clients.

However, in an effort to satisfy the client we worked through broken

sales appointments, a grumpy teenager and even a re-shoot for the

yearbook photo due to a hair malfunction. I really thought we had

handled this with the utmost customer care and service. After all, we had truly bent over backwards, even honored a last minute and suspiciously bogus gift certificate just to get through this session.

When the client finally ordered the portraits, we all walked away from the studio that day pleased. They finally agreed with each other on the order, finally approved the teenager’s hairstyle, picked their portrait sizes and paid their money. Great! We were on the home stretch now. All we need to do is get the artwork finished, get the portraits printed and deliver this order. No problem, right? Wrong!

At our new studio we include the image on a DVD with printing rights, so when we delivered the portrait order three weeks later. We also delivered a DVD to the client. She picked them up, looked them over, shook our hands and drove away. But, two weeks later we received an irate phone call. The client wanted us to reprint all of her portraits. Of course, I was surprised and wanted to know why, what was wrong or what mistake had I made? Could it be the color, artwork or mounting?

What could it be? As it turns out, this client loved the portraits. The only complaint was that I had “cheapened” the work with my logo/copyright in the right hand corner of the portraits.

I was speechless, after 16 years in business I had never had this

complaint and quite frankly did not even know what to say. I proceeded to explain to the client that this was our logo, our copyright and just like every portrait on display in our studio, every image in our mall displays, every image I had ever printed for a client we always included this signature. I told her that if there were any defects or flaws with the prints I would be happy to make new portraits for her but I was not willing to print any portraits without this logo. She hung up on me. So, a client that wanted me to print portraits without a logo/copyright on them sued me. When the summons arrived I immediately contacted PPA (Professional Photographers of America) and worked via telephone and email with the Indemnification Trust program. The attorney, Mr. Stephen Morris and paralegal that I worked with were amazing, and I cannot say enough wonderful things about them. They sent me great information and ideas, a complete guide regarding this case and how to handle a small claims court claim and were overall my biggest cheerleaders through this catastrophe. The day I arrived in court I felt very confident, I had all of my information from the Indemnification Trust attorney, I had a letter from my lab that explained the necessity of printing portraits with the logo/copyright on them, I had pictures of my entire studio with portraits all over the walls displaying our logo and I had my entire family by my side. I could not possibly lose this case, right? Wrong! I lost, plain and simple. I lost the case.

Now, in my opinion the judge was very grumpy and kind of mean but

she made things very personal in court, which I found alarming and

defeating. She actually said to me at one point that she has great picture of her kids from Portrait Innovations and they do not have tacky logos on them. TACKY, she used the word TACKY! Seriously she actually said that! She also told me that she would never buy pictures with logos on them because it is not her job to advertise for me. Regardless of all of this opinion she told me that unless I had my client sign something that explained to her in black and white that she would be receiving portraits with a logo/copyright on it then I was wrong in the eyes of the courts.

Obviously I did not have any such wording in my invoice, model release or sales contract that my client had signed. Never occurred to me in a million years that I needed such a thing. Assuming that this was my right as a business owner or even that it was implied by the multiple 14 Texas Professional Photographer samples displayed in our place of business was not enough. So, I had a choice to make, reprint everything without our name on it or pay the plaintiff a full refund, including the full cost of the bogus gift certificate and her stylist’s charges. I chose to pay the money because there was no

way I was going to print portraits without our logo/copyright.

I wrote the check and walked out of the courthouse so defeated. I could not understand how I even ended up defending what I felt was so right. I emailed the Indemnification Trust attorney’s office through PPA and Mr. Morris immediately responded with shock and disappointment. His support and follow up was really important and it did make me feel better. I felt even better when he told me that through my PPA membership and the Indemnification Trust I would be reimbursed for what it cost me minus my deductible. That was a great surprise and it made me feel somewhat better about the whole terrible situation.

Mr. Morris also sent me some quick notes and suggested that I add the

following to all of my invoices, sales contracts, etc., to avoid something like this in the future:

“Client understand and expressly agrees that the Studio (your name her) places its logo on the front of all final photographic prints it produces for its clients.”

We now have this on all of our paperwork and even thought I may not

run into this problem ever again our studio is at least covered on this

issue.

Maria Matthews, the PPA Copyright & Government Affairs Manager,

also contacted me. She sent me a very supportive email and wanted to

offer the following reminders: “On contracts, it is extremely important to make sure everything about your studio procedures/policies, and the nature of the assignment gets recorded. Establishing a paper trail is one of the best ways to ensure that both photographer and client are on the same page and have a successful relationship.”

She also had the following advice: “On the Trust... PPA members

should know the Trust is here to help when incidents arise. Since it’s

not insurance, there is no need to fear being dropped or experiencing

a sudden rate change. Unless a member tells us they are experiencing

difficulties with a client (whether or not the client has threatened or

filed a lawsuit) we cannot ensure they have the protection they need.

The sooner an issue is brought to the Indemnification Trust attorney’s

(Stephen Morris) attention there’s a better likelihood of a happy ending. Similarly, it is extremely important to ensure PPA members maintain their membership (i.e. stay current on dues) so there’s never a moment they are without a coverage.”

This was a lesson learned... learned the hard way, but learned. Now I

can look at this situation and understand why and how it happened and know that I am wiser because of it. I think that one of the best things that I got from this was a brand new appreciation for PPA and what my membership truly means to our studio and me. So, thanks PPA for your assistance and guidance through this journey of professional photography.


Mary Fisk-Taylor, along with Jamie Hayes, are frequent instructors

at the Texas School of Professional Photography. In their class, they

share the fundamentals that have helped them become established

as one of their area’s leading studios. Learn more about Mary and

Jamie and their class at www.TexasSchool.org.